Horseman SW-D II Pro
System Chart
Specifications
Perfect Wideangle Solution
Interchangeable Adapter Plates
Interchangeable Adapter Plates
Horseman SW-D II Pro is a super-wide camera developed for exclusive use with digital camera backs. The camera becomes compatible with camera backs offered by various makers for use with Hasselblad, Mamiya or Contax cameras by simply interchanging adapter plates.
Four-directional Attachment Mechanism
The adapter plate attachment mechanism is designed accept a plate from four different directions. Lateral and vertical positions can be changed promptly while maintaining the same camera position, for speedy camera work.
Four-directional Attachment Mechanism
Focusing Glass Frame Can Be Used
A focusing glass frame offered by Hasselblad (for SW-C and Flex Body) can be used by attaching it on the Hasselblad V mount for precise focusing and framing.
* Focusing glass (Hasselblad V)
* Live focusing
User-friendly Knobs and Scales
User-friendly Knobs and Scales
The lock-knob for camera movements and the adapter plate knob are large enough to ensure accurate and prompt control work, and scales for reading camera movements are placed on both sides of the rear of the body for good visibility.
Levels
Independent Spirit Levels for Two Directions
Horseman SW-D II Pro employs spirit levels for two directions independently to allow accurate confirmation of horizontal and vertical camera positions. When the viewfinder is in use, the horizontal position can be confirmed while watching the subject through the viewfinder.
Viewfinder
Bright Viewfinder and Interchangeable Finder Masks
Horseman SW-D II Pro accepts a bright viewfinder that allows easier framing. Also, it becomes compatible with all lenses by simply changing viewfinder masks.
Camera Movements
Ultimate Mechanism for Camera Movements in Four Directions
Horseman SW-D II Pro is equipped with camera movement mechanisms for rise, fall and lateral shift to the right or left. All camera movements are performed by changing positions of the camera back. Rise/fall movements can be made by shifting the position of the camera back vertically by 17mm upward or 17mm downward (maximum 34mm), or by shifting horizontally by 17mm to the right or left (maximum 34mm). Thanks to these ample shift amounts, perspective control is easier and effective in architectural and interior photography. In addition, stitching of digital images is made possible by utilizing the camera movement functions.
Camera Movements
Larger Coverage by Stitching Multiple Images
Stitching is a photographic technique that expands wide-angle capabilities of lenses or enhances the sensor resolution as if one built in the digital back is a larger sensor. Stitching is an important technique in digital photography. With Horseman SW-D II Pro, since the camera back is moved instead of the lens portion, precise stitching is easier. When the camera movement function that allows movements in four directions is used and multiple images are stitched, you can have an image plane that virtually measures maximum 70 x 82mm. sensor
Super Wide Angles Lenses
Super Wide Angles Lenses down to 17mm
The 24mm lens unit in combination with a 38 x 48mm image sensor gives you the same wide angle as a 17mm lens with the 35mm format. You will find this super wide angle especially useful in interior architecture and landscape photography, but other applications abound.
Four Types of Lens Units
The Horseman SW-D II Pro lens units come quipped with German Schneider and Rodenstock digital lenses. The shortest focal length, the Schneider Apo-Digitar XL24, is one of four available lens units that include Rodenstock Apo-Sironar digital lenses of 35, 45 and 55mm focal lengths. What's more, Horseman SW series (originally for film cameras) lenses can also be used.
Equivalent Focal length to 35mm format
Image sensor Lens Unit
24mm
Lens Unit
35mm
Lens Unit
45mm
Lens Unit
55mm
24 x 36mm 24mm 35mm 45mm 55mm
36 x 36mm 20mm 30mm 38mm 47mm
36 x 48mm 17mm 25mm 32mm 40mm
What Is A 'Digital Lens' ?
Digital photography -- as opposed to conventional film or "chemical' processes, makes its own demands on the camera lens. A lens optimized for digital should fulfill these conditions:
  1. The image circle can be smaller, but inside that circle optical resolution and contrast should be as high as possible.
  2. In conventional large format cameras, optical resolution was considered good if it resulted in about 20 lines per millimeter. In view of the high resolution of today's digital sensors, lens resolution should be several times higher, up to 100 lines per mm.
  3. Resolution of the digital image drops visibly at stopped-down apertures (f-stops). For digital photography, a lens should be designed to provide optimum MTF at relatively wide apertures.
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